Mistwood Golf Club Tries For Guinness Hotdog Record A lot of the golf forums and ... Read more.
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Mistwood Golf Club Tries For Guinness Hotdog Record A lot of the golf forums and ... Read more.
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Particularly significant is the fact that Canadians have tempered the act of shoaling with their trademark politeness by including the act of simply pulling up next to somebody as shoaling:A whole @CBCNews article about SHOALING (a term coined by @bikesnobnyc). We always enjoy it when @GiacomoPanico takes on these hard-hitting #ottbike issues. https://t.co/XqxCMJH6K1— Bike Ottawa (@BikeOttawa) June 28, 2018
Perfect I’m going to rename my 6yr old the shoaler. Every. Ride.— Bryan (@bedub247) June 28, 2018
Sorry, on behalf of the CBC.— Bike Ottawa (@BikeOttawa) June 28, 2018
The world gets smaller every day.
It’s a world where more than one in three buyers make offers sight-unseen and where virtual tours are quickly escalating from photos to videos to immersive virtual reality walk-throughs.
Investors buy rental properties …
The post How to Effectively Manage Your Rentals from Anywhere on Earth appeared first on REtipster.
MICHIGAN WOMEN’S OPEN – Lexi Harkins Leads Into Final Round CRYSTAL CLEAR: Crystal Lake ... Read more.
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When the academic year ends Summer schools begin, and they now appear to be more popular than ever. Students have so many options to choose from that it must be a challenge deciphering which might offer the most inspirational learning experience. I will be spending two weeks in Shropshire this year (from July 22nd – 5th August) at Moreton Hall enjoying PIANO WEEK, hosted and organised by pianist Samantha Ward. But if you would prefer to stay nearer London, the Cadenza International Summer Music School might be an excellent choice.
Artistic director and pianist, John Thwaites is at the helm, and the school is now in its twenty-sixth year. Based at the Purcell School, near Watford, just outside London, this friendly course provides a very generous array of private lessons, chamber music opportunities and coaching sessions.
The course runs from July 13th – 20th and tuition is offered for piano, violin, viola and ‘cello. Students can enjoy a minimum of three individual lessons on their first study instrument during the week, plus chamber music coaching as well as concert and performance platforms. Everyone plays in at least one chamber group which is coached not less than every second day. Repertoire plans can be made in advance, especially for pianists. Groups and partnerships apparently evolve flexibly during the week; the coaching timetable is arranged in two-day cycles. All levels and abilities are encouraged and there is a wide age range from youngsters through to teenagers, as well as undergraduates, postgraduates, professional and amateur pianists.
Teaching faculty:
Piano: John Thwaites, Julian Jacobson, Fali Pavri, William Fong, Pascal Nemirovsk and Victor Sangiorgio
Violin: Krysia Osostowicz, Daniel Rowland, Leland Chen, Maciej Rakowski
Viola: Robin Ireland
You can find out more information about the Cadenza International Summer Music School, here. Click below to download the brochure:
Cadenza International Summer Music School Full Brochure
My Publications:
For much more information about how to practice piano repertoire, take a look at my two-book piano course, Play it again: PIANO (Schott). Covering a huge array of styles and genres, 49 progressive pieces from approximately Grade 1 – 8 level are featured, with at least two pages of practice tips for every piece. A convenient and beneficial course for students of any age, with or without a teacher, and it can also be used alongside piano examination syllabuses too.
You can find out more about my other piano publications and compositions here.
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Buying a house is one of the biggest investments most of us will ever make, and many of us make this decision with an astounding lack of information.
When I bought my first house, I had spent about 30 …
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Katharine May, who is a British harpsichordist and pianist, is my guest writer today. I asked Katharine (pictured below) for some tips and guidance for those who fancy swapping the piano for the harpsichord, therefore in this post she seeks to explain a few fundamentals. Over to Katharine…
I have often been approached by pianists wishing to try their hand at the harpsichord, needing some starting points on technique and repertoire. Following on from my brief introduction to the instrument posted in 2016 (you can read this post, here), I thought I would outline some of the harpsichord basics from a practical viewpoint to give readers some confidence and knowledge in understanding this wonderful keyboard instrument.
Touch and Technique
The first, most striking aspect one notices when trying a harpsichord for the first time is the action of the quill plucking the string, and it is the control of this action which helps to determine the quality of the sound produced. Tomás de Santa Maria in c1565 wrote `although the hands strike the keys gently, they nevertheless have to strike them with a little impetuosity`. It might take a little getting used to especially if one is more familiar with the action of a piano, and all harpsichords will feel different, but the trick is to be definite with the fingers and keep them close to the keys. In the first instance, and beginning with a single register (or set of strings, which Francois Couperin recommended in his 1716L`Art de Toucher le Clavecin), try pressing a key very slowly so that you consciously feel the moment when the string is plucked. Notice how long the sound lasts when the finger is still depressing the key, and listen carefully to the moment when the tiny damper cuts off the sound as you mindfully release the key. Control and sensitivity of these movements will greatly enhance articulation nuances, and equally can sound clumsy if mismanaged.
Harpsichord technique is essentially a finger technique – the arm and shoulder are used to maintain a good hand position and help it move over the keyboard and, as Rameau advises, `no great movement should be made where a lesser one will suffice`. Pianists will also invariably notice a difference in key width, length, depth and weight as everything is on a smaller scale. For small hands, this is ideal! Octaves and wide leaps (commonplace in Scarlatti) are somewhat easier, as the distance travelled is shorter but it can also make moving in between the naturals and accidentals more fiddly. Practice some familiar scales slowly using conventional fingering to help you feel more familiar, then take this a stage further by trying some (even all!) the scales using 1-2 fingering throughout, then 1-2-3, and so on, playing as legato as possible. You`ll be surprised how different this feels especially when moving between the naturals and accidentals but it will help to make, and keep, the fingers flexible. This exercise was passed on to one of my teachers, originally from Wanda Landowska. J S Bach`s own teaching method was, apart from scale, arpeggio and ornament exercises, based on using simple pieces. Which brings me to my next topic.
Repertoire to get you going
Even if readers are highly accomplished pianists, it is best to begin with the simplest dance pieces such as minuets and gavottes. This will enable the focus to be entirely on mastering, or at least understanding the basic touch. And there are hundreds of such pieces available. Try some of the ABRSM List A choices from Grade 1 upwards until you feel reasonably comfortable with the instrument, then you could move onto the Little Preludes of Bach or a selection from the Anna Magdalena Notebook (the original manuscript of one of the pieces in this popular book is shown above). Taking things a step further, have a look at some of the 2, then 3 part Inventions which after all, Bach wrote specifically to encourage a singing style on the harpsichord. Another composer worth exploring at this stage is Henry Purcell who wrote some exquisite pieces for the keyboard which tend to get overlooked today. His many dance pieces are characterful and evocative of 17th century England, while his 8 Suites explore a variety of harpsichord sonorities, though some movements are not quite so easy to the newcomer.
Accompanying
My concluding section focuses on the art of accompanying since here lies a whole new area to explore with the rewarding benefits of being a more social pastime. Again there is a plethora of music written by a wide range of composers which is very accessible for keyboard players and instrumentalists or singers alike. Originally the accompanist or continuo player would have just a single bass line with figures (or sometimes not!) to read from. This requires a whole new skill which can be daunting for those new to this aspect.
Today, most performing editions come complete with realized keyboard parts, making life perhaps a little easier for some. However, in all my years as a continuo player I have rarely come across a realized part that sounds really stylish, so I`d like to add a few tips and suggestions to the would-be accompanist finding themselves in such a position. Firstly it might be helpful and liberating to know that realized parts usually add far too much in the right hand. As Quantz wrote in 1752 `less is more`. So the most important thing is to follow the bass line and add what you can of the right hand, avoiding playing higher than the melody line, and provide rhythmic support and stability. Adding right hand notes when there is a rest in the left hand is not usually stylish, while adding chords to every bass line note can sound too busy and detract from the solo line. This applies especially to fast movements where there might be numerous passing notes – they certainly don`t all need to be harmonized. If readers are keen to try playing from a figured bass start with a slow sonata movement (to give you more thinking time) by composers whose harmonic language is not too complicated, such as Handel or Vivaldi, and avoid Bach and Purcell until you are more confident. As before, even if you lose your way, just keep the bass line going. While important, the figures are often just giving information rather than instruction and harmony is usually implied by the solo and bass lines combined.
My Publications:
For much more information about how to practice piano repertoire, take a look at my two-book piano course, Play it again: PIANO (Schott). Covering a huge array of styles and genres, 49 progressive pieces from approximately Grade 1 – 8 level are featured, with at least two pages of practice tips for every piece. A convenient and beneficial course for students of any age, with or without a teacher, and it can also be used alongside piano examination syllabuses too.
You can find out more about my other piano publications and compositions here.
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'I have executives say, ‘Send me your cycling calendar.’ They’re using it to decide which conferences to attend' https://t.co/RgggOpKXAv— The Wall Street Journal (@WSJ) June 21, 2018
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I landed in Cyprus with a smile. More than 17 years after I first set foot on the European continent, I had visited every country in Europe. (47 countries by my count, which includes all UN-recognized nations plus Kosovo and the Vatican. I count Turkey but I don’t count the Caucasus.)
To be honest, I can’t remember when that became my goal. Maybe somewhere around 2013 or 2014? I realized I was visiting so many different European countries, and it might be cool to visit all of them.
I love Europe. No, that’s not strong enough. I adore this continent, and have since I first set foot on it as a sixteen-year-old in 2001.
Kate’s Europe Timeline
- 2001: France, Ireland, UK
- 2004: Italy, Vatican, Monaco, Hungary, Czech Republic, Switzerland
- 2006: Belgium
- 2011: Germany, Austria, Liechtenstein, Turkey
- 2012: Portugal, Spain, Iceland, Croatia, Bosnia, Montenegro, Faroe Islands (Denmark), Sweden
- 2013: Netherlands, San Marino, Malta, Macedonia, Kosovo, Bulgaria, Romania
- 2014: Slovenia, Finland, Norway
- 2015: Andorra, Greece, Albania, Serbia, Latvia
- 2017: Moldova, Ukraine, Belarus, Lithuania, Estonia, Russia
- 2018: Cyprus
Europe is my place — from the elegant streets of Paris and St. Petersburg to the rocky Adriatic beaches of Albania and Croatia, from the peaceful pine forests of Finland to the mountains of Austria.
And…part of me feels like I belong in Europe. Long-term.
I usually roll my eyes when someone says, “Wow, I BELONG in this place I discovered on vacation!” but I honestly, after all these trips, I feel like half of my heart is in Europe and the other half is in the US. I’m very American in mindset, but much more European in temperament.
In an ideal world, I would split my time between New York and Paris. Or maybe London, Berlin or Amsterdam. (Germany’s artist visa would make Berlin the easiest option.) If I’m going to be living there half the time, it has to be a big city where I have lots of friends.
This isn’t the time, though. America needs people on the ground fighting for justice.
To be honest, visiting every country in Europe seems like a small, cute, easy goal compared to what my friends are doing. But only because of the circles in which I run. I have several friends who are working toward visiting every country in the world, who are at well over 100 countries with no sign of stopping.
And that’s when I smack myself in the face and remind myself that my experience is atypical, as is my circle of friends. I shouldn’t minimize this accomplishment; this is something I worked hard to achieve, even with the privilege I had to make it possible in the first place.
But there are a few things about this achievement that make me particularly happy.
I’m happy that I traveled deliberately. Sure, I could have visited every country in Europe within a few months — hell, I even know a couple that did it in 30 days, during which they would arrive in a country, do a quick loop around the city center, then leave — but I didn’t want to do that. It always makes me cringe when I see a blogger land in a capital, spend a day and a half, say, “Country done!” and move on to the next place.
My goal is usually to visit three destinations within each country (microstates excluded), to at least get a sense of what different regions have to offer. I don’t always succeed — sometimes due to limited time (Slovakia), sometimes due to bad weather (Latvia) or cancelled tours (Estonia), sometimes due to exhaustion (Luxembourg). But I try to make an effort when possible.
I’m glad that I financed these travels myself. No rich family members, no rich partners. When I took friends, family, and partners on my travels, I bankrolled most if not all of it, either with my own money or in exchange for my work. And for the last two and a half years, I did it while simultaneously paying for an apartment in Manhattan that I didn’t rent out once.
I’m proud that I planned my travels cannily. Over the past few years, I’ve used conferences and campaigns to subsidize the other trips. Speaking in Scotland and Germany? In between I went to Slovakia, Poland, and Luxembourg. Speaking in Romania? Afterward I went to Moldova and Ukraine. Working in Finland? Afterward I went to Belarus, Lithuania, Estonia, and Russia. Speaking in the Netherlands? Afterward I went to Cyprus.
On each of those trips, flights from New York were covered so I saved on long-haul airfare. And nobody ever cares when you want to stay longer than the conference or campaign.
This is a fantastic way to maximize your business travels — add on a few extra days and visit somewhere nearby. You’ll save a ton in airfare. But even if you’re not a business traveler, you can do the same thing if you need to travel for a wedding or family event. Just add on a few days.
That might seem like the next logical step, but I couldn’t have less desire to travel to every country. Why? Because I know it will turn into a burden. Imagine being a year into this goal and feeling exhausted, and just wanting to go to Italy and eat pasta, but all your time and money needs to be spent on trips to Kiribati. And Suriname. And Central African Republic.
I don’t want to get to the point where I hate travel. Some of my friends have ended up in that position. And associating travel with burdens would do that to me.
Plus, I love my life in New York. I currently spend about 75% of my time in the city, and that feels like a good amount for me at this point in time. I love my routines, I love my friends, I love a special little baby who is looking more like a little boy each day. I’d actually be open to traveling even less than I am now, but as my fellow itchy-footed travel people know, it’s very easy to succumb to temptation.
Nothing at the moment.
Really.
Nah. I mean, it would be nice to visit my two remaining countries in Central America, Honduras and Panama (though technically I drove overnight through Honduras so you could count it, though I don’t). But beyond that, I don’t have any desire to do so.
Europe was special to me. I love Central America fiercely, but it still doesn’t hold a candle to Europe.
Hell to the no. Europe is still my favorite continent and a place that I adore. Plus, the wisdom of a traveler is realizing that the more places you visit, the more you realize you haven’t scraped the surface.
In fact, I feel a great freedom now. The next time I have a conference or campaign in Europe, I don’t have an obligation to visit Belarus or Moldova or Serbia. I can explore Italy more extensively! Walk the Camino de Santiago! Visit my Balkan oversights, like Piran in Slovenia, Kravice Falls in Bosnia, and Vis in Croatia! Explore a ton of cities along the Rhine I’ve already visited — but at Christmas!
So…where do I want to go next?
South Tyrol, Italy. I’m nuts for mountains and this is one of the most spectacular mountain destinations in Europe. South Tyrol is home to the spectacular Dolomites, and while it’s technically Italy, the landscape and food are more similar to Austria or Germany.
San Sebastian, Spain. One of the best culinary destinations in the world. I’ve been intrigued by Basque Country since reading The Sun Also Rises for the first time when I was seventeen. This would be the place to pintxo bar-hop like never before.
Northern Norway. Norway is one of the most visually spectacular countries in Europe, but I’ve only been to Bergen and the surrounding fjords. But the far north is where it gets really gorgeous, especially around the Lofoten Islands. And the Northern Lights viewing is great up there.
Lviv, Ukraine. Ukraine surprised me with its loveliness last year, and apparently I missed the most beautiful city of all: Lviv. From what I’ve seen it looks like Krakow and Ljubljana, two of my favorite European cities.
Corsica. This island south of the mainland in France has occupied my thoughts for a long time: its cliffs, its beaches, its food. I especially like that it isn’t overly discovered by international tourists. For now.
Cornwall, England. I consider myself an “accidental Anglophile” and have seen so much of Britain — but this southwest peninsula eludes me. It’s home to beaches that look like they’re part of the Mediterranean, and gorgeous rolling hills. Plus a cool pirate-y accent.
Finnish Lapland. Finland is a county I love dearly, but I’ve only been in the summer. I think I’m overdue for a winter visit in Lapland — all the snow, all the ice swimming, all the early pink sunsets. And maybe a dogsled ride or two.
I feel very content right now with my travels. And that’s a bit unusual. Happiness is one thing; contentment is something different altogether. I’m used to feeling restless and driven, already planning my next trip (and let’s be realistic, one or two more trips) before I’ve even finished the first.
For me, getting to my final country in Europe meant a lot to me. I’m going to be riding this pleasant buzzy feeling for a long time.
Stay tuned — I can’t wait to write a post about my absolute favorite places in Europe! Maybe the top 50 places overall, with special distinction for the top 10? I’ve been thinking about this!
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